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Showing posts with label Prabhata Samgiita. Show all posts
Showing posts with label Prabhata Samgiita. Show all posts

Lal Bujhakkar'


Date: Mon, 01 Aug 2011 21:42:37 -0700
To: am-global@earthlink.net
From: Mahendra Deva
Subject: Lal Bujhakkar'

Baba

"Loke bale tumi dekha' da'o na', tave ele kii kare..."    (PS 1893)

Purport:

O' Parama Purusa, people are telling that You are not visible. When
people say like that then how is it that You have come here in front of me
and I am seeing You.
O' Parama Purusa, people are telling that You do not care about logic
and reasoning. That there is no explaining how You manage Your affairs and
that Your liila is beyond logic. Then how is it that You have graced one
and all & You are showering everyone with Your divine nectar. How has this
started happening.

Baba, whenever I see You then I always request You to make me Yours. And
when I say like this, then I see with my own eyes and I hear with my own
ears how You come close and shower me incessantly with Your infinite grace.
Baba, I am so meagre; You are so vast. I am bound up by my own
limitations. Even then You love me. Baba, by Your sweet touch all the
negativity and impurities get removed; and everything becomes pure. By Your
grace, the fragrant flowers blossom in each and every nook and corner of my
mind.   Baba, people are telling that You are invisible and that You cannot be
seen; but by Your grace You have come to me. O' my dearmost Baba, this is
all due to Your cosmic grace and infinite compassion...


                   == LAL BUJHAKKAR' ==

Namaskar,
Some time back or so one topic was raised on an email network and someone gave  their own interpretation about one Prabhat Samgiita. Such errors should not be  repeated in the future.

Let's start with one story.


         STORY: MYSTERIOUS MARKS IN THE VILLAGE FIELD

One morning in a remote community all the villagers woke up and to their
great surprise they saw huge round marks in the ground-- big circular
indentations in their field. This was indeed something very peculiar and
strange for them. Immediately they all began to give their own explanations
and theories about what had happened. Some were telling that ghosts had
come, others were telling that the inside of the earth was getting soft,
and in that way various persons had their own haphazard logic and
reasoning. But no single villager's reply could satisfy everyone in the
entire community who had gathered in the field that day.

So finally someone suggested to go get Lal Bujhakkar'-- one famous
pundit in the village whose name literally means, 'one who has all the
answers'. And everyone present immediately agreed that indeed Lal
Bujhakkar' would be able to give the best and most perfect answer.

So they sent someone to get him and when Lal Bujhakkar' arrived on the
scene he started smiling and said, 'Oh, this is so easy, you mean you
people do not know what these round spots are'. They all shook their head
no. Then Lal Bujhakkar' told that, 'These are deer footprints'. Then
everyone was in shock and wondered how could these huge round marks be deer
footprints. Because everyone is well aware that deer have small feet-- small
hooves.

Lal Bujhakkar' smiled again and clarified, 'It's simple. Now it is
spring season. And just as all of you do your dance and tie ankle bells to
your feet to celebrate the arrival of spring, similarly the deer do the
same. During the night they attach huge round rocks to their hooves and
then dance around joyfully to celebrate the arrival of spring season. And
since there is not a lot of free space in their jungle, so they came to
this open field to do their dance. That is how all these big, deep, round
marks were made on the ground.'

Hearing this the villagers immediately became deeply impressed by Lal
Bujhakkar's astute and comprehensive answer; and they were all very proud
he was in their village. With that, they all dispersed, completely
satisfied that they had heard the correct answer.

About an hour or two later, some government officials from the Forestry
Department arrived in a jeep and began investigating the big round marks in
the ground. Immediately the villagers wandered over to talk to the
officials as they were very eager to show off their knowledge to the
government personnel. Then in all seriousness the villagers began
explaining to the officials that it was so interesting how the deer were
dancing here in the night with smooth rocks tied to their feet. And the
villagers were talking on and on about how intriguing it was that the deer
were doing their dance in the night to celebrate the arrival of spring.
They told their entire story to the officials; they did not overlook a
single detail.

Hearing all this, the forestry officials were stunned by the ridiculous
explanations given by the villagers and they immediately asked the
villagers where they got these crazy ideas from. Proudly the villagers all
told that the great Lal Bujhakkar' was the one who told them this. The
officials told them to bring Lal Bujhakkar' to the scene; so the boys of
the village went to get him.

When Lal Bujhakkar' arrived he also told the officials his original
story how the deer were dancing with rocks tied to their hooves. And the
forestry officials interrupted him and told that this is most preposterous
thing they had ever heard. The officials then revealed that, 'These marks
are not from deer dancing with rocks tied to their hooves. These big marks
in the ground are elephant footprints.' The Forestry officials continued to
explain that, 'One zoo from a neighboring state lost their elephants and
those elephants obviously came through this field in the middle of the
night'. This was the very logical-- & indeed correct-- answer given by
those forestry officials.

In that way the villagers came to know that everything that Lal
Bujhakkar' told was entirely false-- and ridiculous.

The whole point being that in this world jinanis-- like Lal Bujhakkar'--
often propose fancy theories and give an array of concocted logic to
support their claim, when in actuality their statements do not contain one
ounce of truth. Because the hard reality is one thing and their cockeyed
proposals are something else-- opposite from the truth.

Unfortunately nowadays in this modern era, this world is full of Lal
Bujhakkar' type of people. So we should always base our thoughts on Baba's
teachings and be ultra-careful of those putting forth their own theories.


                 WHAT HAPPENED ON AN EMAIL NETWORK

A similar type of event once came to pass on margii-mail-- where one
jinani type of person interpreted something in a totally topsy-turvy
way, i.e. completely backwards. Specifically this jinani gave his
public assessment that Prabhat Samgiita #1047 is a song about death--
i.e. that the sadhaka in the song is praying for his own death. This was the
idea put forth. When in fact the real meaning of the song is
the direct opposite. Because in Baba's Prabhat Samgiita #1047, the sadhaka
is embracing a new pathway in life.


            MEANING OF PRABHAT SAMGIITA: LIFE IS BLISSFUL

The thing is that each and every Prabhat Samgiita perfectly mirrors Baba's
divine teachings-- one of which is that our AM is the path of bliss.

          "A'nanda'ddhyeva....a'nandam' prayantyabhisam'vishanti."

Baba says, "This quinquelemental world has been born out of bliss, is being
maintained in bliss..." (NKS)

So in the above shloka Baba describes how life is one blissful journey--
where each and every day of our existence is filled with bliss: Singing His
divine name and dancing in the showering of His grace. So in AM life is
something sweet & joyful-- blissful.

We never think that we should pray for our death or harbour any type of
suicidal thoughts. Nor do we think that life is painful or that only after
death will we be happy. This is not our way-- this is not Baba's teaching;
& no Prabhat Samgiita follows this negative approach.


                MISINTERPRETATION BY ONE JINANI

But see here how they missed the meaning of this Prabhat
Samgiita. Because he was proclaiming that song #1047 is a song about
someone's death-- thus painting life as one dark, morose event.

Here are a few lines of the English translation of the song so everyone can
see for themselves how they made a blunder and interpreted the song
in the wrong way. PS #1047 says:

                Let me go as a silent one...
                I bid my pranam to everyone...

                So good bye for today...

                The night is ending, the dawn is blossoming.
                Let me go out, let me open the door.

So with just a little bit of common sense, anyone will understand that the
sadhaka in the above song is embarking on a wonderful new pathway in life--
leaving behind the darkness of old. So this optimistic song is about
someone entering a bright new phase of life where 'the dawn is blossoming'.
That is the flow of the song and that matches up nicely with Baba's entire
perspective about life.

But one jinani is proclaiming that the above song is about death.

So instead of linking up with the blissful teachings of Ananda Marga, this
jinani wrongly interprets the song in his own morose way. And by his
interpretation, the 'blossoming dawn' means death, and the phrase 'Let me
go out' is the person praying to die. Thus by the jinani's analysis,
each and every line of the song takes on a morbid meaning.

So by his entire interpretation, the pundit paints life as one
terribly negative experience where the only escape is to pray for one's own
death.

Of course, every Ananda Margii knows that Baba strongly warns us never to
refer to life in a negative manner.

Baba says, "Don't compare life to a pool of muddy stagnant water. Life
resembles an ever-flowing spring..." (Ananda Vanii #6)

Thus Baba guides us that life is something entirely positive and vibrant.

Anyone can see then that the jinani is going against Baba's basic,
fundamental guideline. Because they are describing life as something
totally negative, sorrowful, and stained-- like muddy stagnant water etc.
So they are way off the mark.

                                       
                   THE REAL MEANING OF THE SONG

Rather when ideating on and singing Prabhat Samgiita #1047, we can think of
it in a variety of positive ways.

For example we can view this song as a time when someone has decided to go
for WT training. Where they are saying good-bye to their old, mundane
friends and preparing to embark on a blissful journey as they dedicate
themselves to a life of blessedness. This is one way to interpret the song.

Or the song can refer to someone who has just taken initiation into Ananda
Marga.

Or the song can be about someone who is retiring from their mundane job and
now they will lead a life of 100% service to humanity.

Or...

All these types of interpretations are moving in sync with our AM
perspective on life.

Thus there are numerous ways to interpret Prabhat Samgiita #1047 that link
up the spirit of Ananda Marga. And those with a devotional mind will
naturally move in this direction. This is the natural way for all Ananda
Margiis.

Only Lal Bujhakkar type of persons will drift away-- taking the matter in
their own particular direction, that is away from our AM way of life.


                        BABA'S BLESSING

By Baba's grace life is something very special, very wonderful, and very
positive-- full of hope and optimism. This is life according to Baba's
supreme definition. And each and every Prabhat Samgiita follows this pathway.

Baba says, "Under no circumstances should human beings be pessimistic. That
is why I am always an incorrigible optimist, because I know that optimism
is life." (AFPS-3)

Namaskar,
Mahendra


Note 1:           BABA'S STORY ABOUT PRABHAT SAMGIITA

On a few different occasions Baba has told that not all people are capable
of interpreting and explaining Prabhat Samgiita. In particular Baba
describes that one's mind must be above the vishuddha cakra-- means one's
mind should be spiritually vibrated. Otherwise one will interpret the song
in a crude, mundane type of way.

Because everything in life-- including Prabhat Samgiita-- can be seen or
understood in multiple ways. So those whose mind is not up to the mark will
misinterpret the song each and every time. This is Baba's warning.

That is why Baba guides us that only those whose minds are drenched in
spiritual ideation should take up the job of explaining Prabhat Samgiita--
all others such as this jinani avadhuta should step aside and keep mum.

BABA warns us,  "If one is not able to give the people proper guidance,
then at least one should not misguide them. One must not divert them from
the proper path." (NSS, p.197)
                      

         ********************************************
                         Think On This

Baba says, "Human Society is one and indivisible, don't try to divide it.
Each and every individual should be looked upon as the manifestation of the
Cosmic Entity." (Ananda Vanii, #21)
         ********************************************



Anti-Devotional

Date: Wed, 06 Jul 2011 07:58:11
To: AM-GLOBAL
From: "Deva_Sudhakar"
Subject: Anti-Devotional

Baba

"Toma'ke ca'i a'mi jiivane, a'loke a'ndha're sabkha'ne..." (PS 3238)

Purport:

 Baba, You are my everything. In the effulgence as well as in the
darkness, all the time, in all the places-- everywhere, in my life I
only desire You. Baba, by Your grace You are mine; You are mine and mine
alone. I want to keep You with me always. Baba, please be gracious and
remain in my heart eternally.
 Baba, I long for You in the depths of my heart. Baba, except You, I
do not have any other desire. By Your grace You are my shelter & You are
my base. Baba, You and I-- the two of us-- will remain in one corner of
my deserted heart forever and ever. By Your grace, we will be there
together, always. That is my longing; that is my desire.  Baba, by
Your grace nobody is lowly or insignificant, everyone is Yours. We are
all part of one divine family. Baba, those who went away in the past and
those who will come in future, I go on telling the tale of their heart:
No one is downtrodden and all belong to You.
 O' my dearmost Baba, Your qualities are endless and You have infinite
forms. Baba, all the flora and fauna, all that is moible and immobile--
everything is Your divine expression. By Your grace, You are manifesting
Yourself in countless ways. Baba, whatever right or wrong I do, by Your
grace I always keep You in my mind, in my heart. I always surrender unto
You.  Baba, in my shravan and in my manan, I go on singing Your song--
Your glory. It is Your grace.
Baba, You are the Polestar of my life; You are my everything. Baba,
please keep me under Your shelter...


== ANTI-DEVOTIONAL ==

Namaskar,
Here we are talking about Prabhat Samgiita and which songs are best for
Ananda Margiis to sing - from a purely devotional perspective. Nowadays,
in their innocence, a few are singing songs which go against the
devotional feeling of AM. We should therefore take a deeper look at the
matter.


ALL HAVE DEVOTION

As we know, Baba has explained that every being in this cosmos has
devotion. Even animals have their animal devotion and desire to be
great. When they see something or someone bigger and stronger than they
are, then they revere that being.

Similarly, every human being also has devotion and an innate longing to
become great. Plus, everyone has the very sincere desire to satisfy that
longing. Unfortunately, along the way, some get caught up in undesirable
activities.

For instance, take the case of Hindus sacrificing goats to the gods.
They do this as a sincere expression of their devotion. Of course, we
know that this is just a dogmatic ritual that will not get them any
closer to God. Rather their harmful ways lead them in the opposite
direction. Even then these worshipers think that their practice of
sacrificing goats is good and will allow them to reach God. So they are
sincere, but misguided.

Such static rituals and traditional forms of worship are present in all
the dogmatic religions.

Thus even though all have devotion, vivek and knowledge are needed to
express that devotion in a proper way.


RELATING THIS WITH AM AND PRABHAT SAMGIITA

Now let's see how these above ideas relate with our devotional life and
Prabhat Samgiita.


PRABHAT SAMGIITA IS FOR ALL

First off, we have to remember that Baba has given His teachings not
just for Ananda Margiis but for the entire humanity. Soon the whole
world will be following the ways of Prout, whether they be margii or
not. Likewise, Baba's remedies in Yogic Treatments are for all types of
people and His various grammar books are to be studied in all schools.
In the same way, Baba has graciously given His Prabhat Samgiita
collected for the whole humanity - not just to those small collection of
people who are Ananda Margiis.

Here then comes the crux of the matter.

Those intimate dhyana songs about Parama Purusa (i..e. Baba) are for
Ananda Margiis whereas songs about Lord Krsna and Lord Shiva are for the
general public. That does not mean we should discard those songs about
Lord Krsna and Lord Shiva entirely, rather we are to learn them so we
can teach others.

But for us, in our devotional life, we are not to sing or use songs
about Lord Krsna and Lord Shiva.

Unfortunately, at present, many have fallen into this trap. With full
sincerity they sing those songs like Shivagiiti and follow the meaning,
yet they do not realise that their approach undermines and decreases
their attraction and longing for Baba - i.e. their true Goal. In that
case their situation is quite similar to those who sacrifice goats and
worship idols: They are unaware that their practice diverts them from
their Goal.

So althought Baba has given 5,018 Prabhat Samgiita songs, one must have
the required vivek to use the songs in the right way.


ONE POINTED DEVOTION

We must remember that to achieve or attain anything in the spiritual
sphere, one-pointed devotion towards Parama Purusa is needed. Even if
one sincerely worships a stone idol they will not reach to God, rather
that person will be converted into stone. Because the practitioner is
worshiping that stone idol not God.

Baba says, "The mind is extroverted by idol worship and is attracted
towards finite objects. If the mental force is directed towards finite
and crude objects, then the person is ultimately converted into
crudeness."  (SS-1)

Their mind is diverted in the wrong direction, so their approach is
defective.

Likewise if one sings for and ideates on Lord Krsna or Lord Shiva before
doing sadhana and Baba dhyana, then they are goading their mind in the
wrong direction - not towards Ista - and they will not reach the Goal.

For this reason, Baba has carefully given the teachings that Ista much
be one, i.e. singular in nature.

In the discourse 'Onmkara and Ista Mantra', Baba tells the highly
significant story about the great mythological devotee, Hanuman. One
day, many other sadhakas were asking Hanuman why he only repeats the
name 'Ram' and not 'Narayan' when both the words mean the same thing.
Both names refer to Parama Purusa. Hanuman's reply was that
"philosophically speaking they may be the same, but for me these other
names have no value, I only know Ram."

Baba's teaching then in this story is that all our devotional feeling
must be linked with one Divine Entity, otherwise one cannot reach the Goal.

Thus, when we are Ananda Margiis and Baba is our Guru, then when He is
our Goal (Ista) then we should not sing those few Prabhat Samgiita that
focus on Lord Shiva and Lord Krsna. Those songs are not for our
devotional practice. They are for others.

Out of their nativity and sincerity, some margiis and acaryas always
sing Lord Shiva and Lord Krsna songs before sadhana. When in fact this
diverts their mind away from the Goal. In that case, those songs weaken
their devotion for Baba. Please excuse me, but those songs are
anti-devotional for true Ananda Margiis.

During cultural programs we might sing such songs when members of the
general public are in attendance, but such songs are not for our own
personal sadhana practice.


THE LANGUAGE ISSUE

When those songs about Lord Shiva and Lord Krsna devalue our devotional
longing towards Baba, then the natural question is why people get caught
up singing those songs.

One reason is due to language and region.

For instance, in South India, the people are most often followers of
Lord Shiva and most of the people know English and Sanskrit, not Hindi
and Bangla. So when the songs about Lord Shiva have been given in
Sanskrit, then naturally those margiis from South India gravitate
towards the Prabhat Samgiita written in Sanskrit about Lord Shiva. In
their innocence they do not realise that this is undermining their love
for Baba and their sadhana.

In North India, the worship of Lord Krsna is much more prevalent and the
people speak Hindi and Angika etc, so some margiis from those areas are
prone to singing those songs about Lord Krsna. In their sincerity they
do like this. But again this only diminishes and bifurcates their
attraction for Baba.

We must remember: One cannot sing and divert all their energy towards
Lord Shiva or Lord Krsna and then expect to get success in AM sadhana
and Baba dhyana. It just does not work. For successful sadhana and
dhyana, one must goad the mind towards Baba the entire day. That is His
teaching.


WTS ARE MAIN CULPRITS

Many margiis and wts have innocently fallen into this wrong practice of
singing those Prabhat Samgiitas about Lord Krsna and Lord Shiva. They
sing these songs during paincjanya, at dharmacakra, in devotional
programs, or anytime, but this is not at all good. Such songs should
never be linked with our devotional life. But in their simplicity some
do like this.

Then there are some Wts who are committing a double-sin. Why? They are
doing this faulty practice of singing Lord Shiva and Lord Krsna songs
before sadhana etc, and to make matters worse they are teaching this
faulty approach to others. That is why they are committing a double-sin
and their future is not bright. They should change their ways
immediately, otherwise they will not be spared.

Ultimately, this is a big topic and there are many points to discuss.
But if one understands nothing else from this letter than they should
know that singing Lord Shiva and Lord Krsna Prabhat Samgiita songs is
anti-devotional for true Ananda Margiis.


BABA'S BLESSING

By Baba's grace He has given the teaching that we are to have
one-pointed devotion for Him and not divert the mind toward any other
deity, not even Lord Krsna and Lord Shiva.

Baba says, "Non-compromising strictness and faith regarding the sanctity
of Ista." (Sixteen Points)

Baba says, "If people constantly think of their Is't'a with undivided
attention and repeat their Is't'a Mantra with conceptual understanding,
their future is certainly glorious." (NKS)

Namaskar,
Sudhakar



*********************************
Food Problems and Their Solution

Baba says, "In the event of shortages in the food and accommodation of
the population of the world, people will convert uncultivated land into
new arable land, increase the productivity of the soil by scientific
methods, produce food by chemical processes with earth, water and air,
and if this earth decreases in its productivity, then land seeking human
beings will migrate to different planets and satellites and settle
there." (PNS-13, p.45)
*********************************


Cream


Date: 1 April 2011 18:21:33 -0000
From: "K Deva"
To: AM-GLOBAL
Subject: Cream

Baba

PS Intro #4786: In this song, the bhakta has deep love for Parama Purusa
and has a strong yearning to get Him, but for such a long time Parama
Purusa has not come. So the sadhaka has been crying out of melancholic
longing for Parama Purusa-- and accusing Him of not coming.

In the worldly sphere, it is similar to one baby accusing its mother of
being late or missing their time together entirely. In that case, the
baby will bitterly, yet lovingly, accuse the mother of not caring about
them.

And the same thing-- or to an even greater degree-- occurs in devotional
life, because in this song the relation between the bhakta and Parama
Purusa is that of madhura bhava (lover relation). When a sadhaka feels
extremely linked with Parama Purusa, then he has a deep yearning to be
with Him always. And if Parama Purusa does not come very close in that
most intimate way, then the bhakta will lovingly accuse Parama Purusa
and shed many a tear.

Wherever there is strong bond of love then this feeling is quite
natural. Many sadhakas-- though not all-- have felt this in their
sadhana at one time or another. So this song carries that feeling of
extreme love between the devotee and the Lord. Hence those who do not
have such a feeling may not understand the depth of this song.

In this scene, the bhakta is crying out of a melancholic longing to
embrace Baba tightly. Parama Purusa did not come for what seemed like
ages and now that He has arrived, still the bhakta is not satisfied
because Baba is not coming as close and as intimately as he would like.
For this reason the bhakta is very upset and crying.

As the song begins, Parama Purusa has just come and is standing before
the bhakta and asking the devotee why he is crying. And the following
purport is how the loving communication between the bhakta and Parama
Purusa progresses in this song.

Note: Another unique facet of this composition is that usually Prabhat
Samgiita is sung for Parama Purusa, but in this song Baba is addressing
the devotee. So it is a bit of an unusual song. Some people wrongly
conclude that it is a third person who is talking to the bhakta-- as
some Hindu bhajans accept such interpretations. But in the devotional
world of Prabhat Samgiita, each and every exchange is between Baba and
the devotee-- and no other person is involved.


"Ka'jal meghe ka'jal cokhe, jala jhare keno balo na'..." (PS 4786)

Purport:

O' my close one, what is the matter, what is troubling you? What has
happened? Who has turned their back on you? Who has caused you so much
pain and sorrow-- in your mind and heart, which you could not tolerate?
Please tell me why you are crying and shedding so many tears. Your
collyrium filled eyes, which are like black rain clouds, are profusely
raining down tears. What is the matter, please tell me, please tell me.

Who are you crying for in this untimely way. After all, the One for whom
you are crying has come, so what is the use of all these tears. [1] Now
it is pre-winter season, the rainy season has ended long ago. The time
of melancholic pain is over. I have now come so it is a different
season. This is no longer the time to cry; this is the moment for us to
renew our loving communication and closeness.

Always remember that a friend is one who keeps his promises. If one
breaks their promise then you cannot consider them as your friend.
Likewise do not accept anyone as your friend who causes you pain and
then fails to apologise. Also do not accept someone as your friend if
they do not laugh by seeing your joy or if they do not weep by seeing
your sorrow. I am your true Bandhu, because by seeing your pain and
sorrow, I could not keep myself away from you. I have come. That is the
true mark of our loving relationship-- I have come.

O my close one, please tell me why are you crying...


NOTE FOR PRABHAT SAMGIITA #4786

[1] This line-- 'I have come so what is the use of crying'-- is spoken
indirectly by Parama Purusa. This is part of His mental communication
with the devotee. The song does not literally state-- 'I have come...'--
but that is the insinuation. When one is involved in a relationship
based on deep love, then things are told indirectly. To others, it may
not be apparent what is going on. But, between the bhakta and his Lord,
the meaning is quite clear and well understood.


            == DEVOTION IS THE CREAM OF THE LIFE ==

Namaskar,
The entire aim of this letter is to elaborate on the highly unique and
rare nature of the above Prabhat Samgiita, #4786. Such a devotional
expression is only prevalent in Ananda Marga, the path of bliss.


                REACHING THE GOAL OF HUMAN LIFE

In human life, people have all kinds of options and desires, and most
resort to animalistic tendencies in their pursuit of materialism and
sensuality. As Ananda Margiis, we are embarking on the path of true
spirituality; we are divine travelers. Our goal is to reach and attain
Parama Purusa.

So we are to know how this is done.


        ONLY MADHURA BHAVA CAN BRING EXTREME CLOSENESS

While there are many accepted bha'vas in AM sadhana-- Father-son
relation, Friend relation etc-- only madhura bha'va can bring the
devotee to that pinnacled state of closeness with Parama Purusa. And
that is the type of bha'va expressed in the above Prabhat Samgiita.

Baba says, "Madhura bha'va is a very exalted bha'va, for this bha'va
fills the mind with sweetness and bliss and leads the aspirant to the
closest proximity of the Lord." (NKS, Disc: 27)

This is not to say that the other bhavas have no place in the life of
the sadhaka. All the bha'vas are meaningful. And in dhya'na we should
always follow the one which feels most natural to us at that time.
Forcing or pretending to follow a particular bha'va is meaningless. Ours
is the path of naturalness.

At the same time, we should always have the theoretical understanding in
mind that only madhura bhava can bring us to the zenith point of divine
realisation. All the other bhavas, at one point or another, must get
converted into madhura bhava. This is the rule. So we should be aware
about this and try it sometimes in our dhyana.


                  THE BEAUTY OF MADHURA BHA'VA

The inherent beauty of madhura bha'va is wonderfully expressed in the
above Prabhat Samgiita. In that song, the devotee does not want anything
from Parama Purusa except He Himself. The bhakta does not want gold, or
a job, or a girlfriend, or prestige, or any type of mundane desire.

And not only that, the sadhaka is not satisfied with the mere presence
of Parama Purusa, or any lower type of relation. The sadhaka only wants
the extreme, intimate relation with Baba. So it is purely a personal
relation. And the closer the devotee gets to Parama Purusa the more
proximity he wants with Baba.

That is the way madhura bhava works: There is no satiation point until
one finally merges in Him. In those higher stages of madhura bha'va, the
bhakta is yearning and crying to have Him still more close.

That is how one ultimately reaches the goal of finally becoming one with
Parama Purusa.

So we should all have at least this theoretical understanding. In
dhyana, we may tend toward the Father-son relation, or we may like the Friend
relation, yet we should have awareness that beyond that there is
madhura bhava.

And it is that bhava which is highlighted in the above PS #4786, not any
other relation.


                 UNIQUENESS OF AM SPIRITUALITY

This type of love relation with Parama Purusa is totally unique to AM.

None of the Semitic religions-- i.e. Christianity, Judaism, & Islam--
have this type of close link with Parama Purusa. Rather they think of
God being far away in the distant sky, or they think of God as being one
critical judge that can put someone into hell. They have no conceptual
idea of any close, personal relationship with Parama Purusa.

In Buddhism also, the idea of having a loving romance with God is not at
all present. They ask their Buddha for grace etc, but there is no close,
intimate relationship. It does not exist.

Likewise in the Hindu religion, that type of close relationship is also
mostly absent. Of all their numerous gods and goddesses, there is none
where there is a close, intimate link. Even those Hindus who worship
Lord Shiva do not have such a connection-- because Lord Shiva did not
preach or teach that idea.

Only those Hindus or followers of Lord Krsna may have such a concept of
love, and even then it is very rare. Only a few follow the Radha-Krsna
relation. Thus it is only a couple of unusual devotees of Lord Krsna who
feel are involved in a madhura bhava relation with their Lord.

Even then, in their songs, they often accept a 3rd party. That means if
there is a conversation going on in one of their bhajans, it is often
thought of as a dialogue between two devotees who are talking about Lord
Krsna, as opposed to between only Lord Krsna and the devotee.

So the path of AM is totally unique. Only in AM do we openly acknowledge
the practice of madhura bhava in a more common manner and only in
Prabhat Samgiita are the songs exclusively between the bhakta and Parama
Purusa. There never is a third person or a third entity in any song.
Just it is the intimate and close communication between the bhakta and
His Lord.

And within that genre, a few songs like #4786, focus exclusively on the
madhura bhava relation where the bhakta is crying to get Parama Purusa
closer and still more close. The devotee only wants that most loving
link with Baba, not any lesser relation, and certainly not any mundane
gift or boon. And Baba has written Prabhat Samgiita for all Ananda
Margiis. Hence, these songs of the highest devotion are for each and
every Ananda Margii to explore.

And by His grace and through the regular practice of kiirtan and sadhana
and singing Prabhat Samgiita, we are sure to reach that stance of
madhura bhava in our devotional life.

This is a vast and layered topic and there is much more to be said. So
others should also write in with their thoughts and experiences.


                    BABA'S BLESSING

By Baba's grace, we Ananda Margiis have the opportunity to get Him in a
close and intimate way. That is the speciality of our path. There is
nothing in between the aspirant and Parama Purusa. And as the love
relation develops we are sure to attain Him, by His grace.

Baba says, "Many people come to me and say, “Ba'ba', we are sinful
persons, what will befall us?” Frankly speaking, I don’t feel happy at
all when I hear these words. Parama Purus'a loves saints and sinners
alike. He attracts all through madhura bha'va [sweetness], not kat'hor
bha'va [harshness] – that is, through all kinds of inferential
vibrations. So, why should anyone worry about his future? This has no
proper justification. Parama Purus'a takes care of all such worries. He
is always lovingly calling people very, very close to Himself. " (NKS,
Disc: 27)

Namaskar,
Karun


Atma' Kii Diivali

Date: Thu, 04 Nov 2010 22:01:47 -0000
To: am-global@earthlink.net
Subject: Atma' Kii Diivali
From: RB_MAURYA@ecectronic...

Baba

"A'lokojval ei sandhya'y..."  (PS 1894)

Purport:

 Baba, by Your grace, this effulgent Diipa'vali evening has been lit by
the lamp of Your divine love. With the sweetness of Your mind, You are that
Divine Personality who has graciously removed all the blemishes and defects
from my mental temple. By Your grace, You have made me clean and pure. O'
Eternal One, who is this Vast Entity who has graced me and appeared in my
mental sky.

 O' Baba, the planets and stars have lit the lamp for You; by Your grace
their hearts are filled with overflowing love for You. Baba You are so
magnificent. By seeing Your infinite, divine grandeur, even this great,
silver-coloured galaxy has become spellbound & awestruck. Baba, by Your
grace You go on dancing and You go on floating in my oversurging heart,
which You Yourself have illumined.

 Baba, by Your grace I have longed for You for hundreds of lives. I have
yearned for You through countless cycles of life & death; and by Your grace
I have gotten new life again and again-- always longing for You. Baba, I
long for Your love in each and every fraction of my heart. By Your grace my
mind is filled with the deep attraction of Your love. Baba, You have filled
my entire being with the light of devotion. By Your causeless grace, the
river of my mental longing is overflowing with Your divine love.

 O' Divine Entity, O' Parama Purusa, O' Baba, today You have graced me by
coming in my heart on this resplendent night of Diipavali ...


== "A'TMA' KII DIIVALI ==

Namaskar & Happy Diipa'vali!!,

On this wonderful occasion of Diivali, may we all rejoice and celebrate
both the social & devotional aspects of this highly significant and
spiritual occasion. After all this is one of our recognised AM festivals
which is designed to bring a renewal and rejuvenation throughout one's
entire existence.


MANY WORSHIPERS OUTSIDE AM ALSO CELEBRATE

Of course Diipa'vali is not just a day celebrated in Ananda Marga.
Throughout the vastness of tantric society, Diipa'vali is recognised as
a highly meaningful occasion. That is why whether one is a vidya tantric
or an avidya tantric, whether one is an idol worshipper or one engages
in prayer, whatever type of sadhana one does, Diipa'vali is the day when
all sincerely engage in their selected practice. On this occasion, one
does more sadhana-- whatever type that may be.

At the same time, most also display fireworks in the external arena;
that is also a cultural or social aspect of this event. Because after
all 'diip' means 'light' or 'lamp' and Diipa'vali is that occasion which
is a festival of lights.

So it is a widely recognised occasion. Yet of course in our Ananda Marga
we have our own special, dharmic understanding of this great festival.
And here below Baba sweetly describes the inner significance of Diipa'vali.


BABA'S SPECIAL DESCRIPTION OF DIIPA'VALI

As we all know in Caryacarya part 1 Baba neatly outlines all our AM
festivals. Plus in various other discourses Baba also talks extensively
about so many of these various festivals. And that is the case with
Diipa'vali also.

Before we move ahead any further it should be noted that there are
various different spellings of this occasion, depending on the language
and area etc. Suffice to say here that 'Diipavali', 'Diivali',
'Diipa'vali' and 'Deewali' etc all refer to the same wonderful festival.

And in His June 1990 DMC discourse, 'The Cult of Spirituality-- The Cult
of Pinnacled Order', Baba makes special mention of this event.

In this discourse Baba explains how this festival known as Diipa'vali is
linked with the enlightenment of the soul. That is the great
significance of this day.

Hence Diipa'vali is related with spiritual effulgence, sentientness of
thought, and all psycho-spiritual ideas that are linked with light:
Igniting the lamp of love for Parama Purusa.

And here below is the original Hindi from this discourse. For those with
the English editions of this book-- "Yoga Psychology"-- this section
comes on page 136 of the 1991 edition and on page 174 of the 1998
edition. It directly follows the two line Sanskrit shloka,
"Phalis'yatiiti vishva'sah...". Unfortunately in both of these English
editions, the proper translation of the original Hindi could not be given.

Here then is the original Hindi followed by the correct English translation:


Man ka' jo andhaka'r hai usko hat'a'na' hae.

(The darkness of the mind should be removed.)


Esa' nahin kahana' hai ki ghar-ghar men diivali,
mere ghar men andhera'.

('In each and every house there is a festival of light,
yet my home is dark', one should not say like this.)


Ghar men bhii diiva'lii honi ca'hiye.

(There should be diivali in the home)


Aor ye hae a'tma' kii diivali.

(And it is the diivali of the atma')



So according to Baba's above DMC discourse, Diipa'vali is the idea of
cultivating that inner spiritual yearning for Parama Purusa, thereby
illuminating one's entire existence with the sweet flow of spirituality.
That is, infusing one's soul with the great love of Parama Purusa.


HOW WE SHOULD CELEBRATE

Of course abiding by the Supreme Command, each and every Ananda Margii
does sadhana twice a day, at minimum. So it is our regular habit and
regular practice to illumine our minds and hearts with that deeply
spiritual of flow. This is Baba's grace and His great gift to all Ananda
Margiis.

So when the day of Diipa'vali arrives then what are we to do. We are to
dedicate even more time to our devotional practices of sadhana and
kiirtan-- enabling our existence to better reflect and capture the
infinite love of Parama Purusa. By Baba's divine grace may we all pass
this occasion in this way.


BABA'S BLESSING

On this wonderful festival of Diipa'vali, let us once again recall
Baba's great boon upon all Ananda Margiis.

Baba says, "You should remember why You have been born. Following the
path of devotion, you will have to ultimately reach Parama Purusa." (YP,
'91 Edn, p.140)

Namaskar,
Giriish


Note 1: DISCOURSE NEEDS TO BE CORRECTED

Both the 1991 and the 1998 printed editions of Baba's famous 1990 DMC
discourse, 'The Cult of Spirituality-- The Cult of Pinnacled Order',
carry the wrong translation of the original Hindi lines. In English that
paragraph begins and ends in the following way:

"In Sam'skrta, gu means 'darkness'...there should not be a
 festival of lights...of the soul."

If compared with the original Hindi lines, it is apparent that there are
various mistakes and omissions in the English translation of this
important paragraph. That is not to say that the idea has been totally
misconveyed. But, we cannot say it is a proper translation of Baba's
words either. That is why both the grammar and the word selection in the
English editions needs to be redone according to Baba's original spoken
discourse. As this is a DMC discourse, it was given using a mixture of
the three languages (Bengali, English, and Hindi) but the special
section about Diipa'vali was uniquely given in Hindi only. And the
English translations should be made to reflect Baba's original words.


Note 2: BABA'S PRABHAT SAMGIITA ABOUT DIIPA'VALI

Here is one of Baba's divine songs about Diipa'vali.

"Diipa'valii sa'ja'yechi prabhu..." (PS #63)

'Baba, my Beloved, by Your divine grace I have arranged a row of lamps
in Your reception. Please grace me and come inside my heart always with
newer and new form and dress. Please come inside my heart with Your
gentle footsteps. Please come inside my mind with more song and dance.
Baba by Your grace please radiate Your sweet and tender smile-- illumine
my entire existence. Baba, by Your causeless grace please come in my
world of ideation with rhythm and new effulgence--exuding Your charming
vibration...'


***************************************
Unruly Free Mixing between Males and Females?

Parama Purusa Baba says, "It does not require the harnessing of any
elaborate logic or reasoning to convince people that the final outcome
of permissiveness is not healthy. But it is also true that the result of
free mixing in society, without self-control, is bad...Hence, along with
the recognition of the freedom of the two sexes, a well-judged code of
self-control will also have to be associated with their mutual mixing."
(HS-1, p.35)
***************************************

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