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Beyond Hiranmaya Kosa

From: "Satiish K Bhatia" To: am-global@earthlink.net Subject: Beyond Hiranmaya Kosa Date: Thu, 03 Jun 2010 06:14:36 +0530 Baba (Note: Here is the version of PS #3003 with the expanded purport.) PS Intro: Here Baba is describing what happens in the severe summer season. It can also be equated with bad or difficult times in one's spiritual life. When the sadhaka is feeling out of their devotional flow then the mind is dry like a desert. The softness and fulfillment of the mind withers away. Everything becomes drab and lifeless. The sadhaka's heart of that dark time is reflected in this song. Here summer season means that state of mind devoid of devotion. Prabhat Samgiita #3003 A'mra vaner madhu jhare ja'----y Vasanteri haoa' digante ha'-ra'y Vasanteri haoa' digante ha'-ra'y Vasanteri haoa' digante ha'-ra'y Nida'gher ta'pe a'j kokil bhuleche ga'n A'-----------------------------------a' Nida'gher ta'pe a'j kokil bhuleche ga'n Nida'gher ta'pe a'j kokil bhuleche ga'n Nida'gher ta'pe a'j kokil bhuleche ga'n Shya'malima' ha'-ra'no ven'u vane nei ta'n Ba'dal meghe na' dekhe mayuro nis'pra'n' Na' phot'a' mukul a'tape shuka'----y Amra vaner madhu jhare ja'----y Harit trin'e legeche haridra'- cha'--p A------------------------------------a' Harit trin'e legeche haridra'- cha'--p Harit trin'e legeche haridra'- cha'--p Harit trin'e legeche haridra'- cha'--p Jeno se baye ja'y dustar anuta'p Cepe ra'kha' marmer jata chilo santa'p Us'n'a ma'rava a'nkhite mila'----y A'mra vaner madhu jhare ja'----y Purport: Summer season has come. The nectar of the mango grove has dried up. The unrelenting sun is baking and cracking the earth. The vernal breeze has gotten lost in the horizon. The hot summer wind is blowing. The nectar of the mango grove has dried up. The burning heat of summer makes the cuckoo bird forget its song. It has stopped singing. The world has lost its beauty. In the greenless flute groves [1], there is no resonance. The lush vegetation has lost its vitality. Not seeing the monsoon clouds, the peacock is half-dead and lifeless. The unbloomed flower buds have withered away in summer's scorching heat. Everyone wishes for the arrival of cool, refreshing rain. O' Parama Purusa, devotees long for the showering of Your grace and devotion in their melancholic heart. The nectar of the mango grove has dried up and the hot wind is blowing. Because of the intense summer heat, the green grass has become yellow - as if it is facing a terrible ordeal. Whatever suppressed and painful feeling was in the heart became one with the hot desert storm. This entire scene of the floar and fauna in the summer season is similar to all the agonies and pain of the heart which was unexpressed in my mind. Now it is taking form by this summer storm. Inside and outside are same. O' Lord the suffering and pain of not getting You is expressed by this summer storm. Baba I want You... NOTES FOR PRABHAT SAMGIITA #3003: [1] The flute is made from the cane plant, that is why cane plants are also known as flute groves. End Note: One key point to be aware of in this ongoing translation work is the danger of being overly literal. For instance, in Bengali it is said, "jal kha'bo" literally meaning "Will eat water"; whereas the better translation is "I will drink water." Whenever and wherever possible, a good translation will aim for the spirit of what is being said, and not the bare, literal meaning.
== BEYOND HIRANMAYA KOSA ==
Namaskar, Each and every Ananda Margii knows that Baba is Parama Purusa and that He is living with one and all, in ota and prota yoga. That means individual and collective tactuality. But it is hard to realize and feel always, that Baba's touch is there. How many persons feel like this, the ota-yoga feeling of tactual contact with Parama Purusa? This is one of the mysterious ways, that Baba is living along with one and all, in tactual contact. And yet He is also invisible, remaining unrealized. Similarly, whenever Mahasambhuti comes on this earth, He gives various teachings. But most of the teachings remain unclear for the common public. Because His guidelines are so concentrated and pointed-- as they have all been given in seed form. By the example we can see that at the time of Lord Krsna, in the Giita which He has given, ages passed and nobody understood that text's inner meaning, because of its profound nature. Only after 3500 years when again Mahasambhuti advented in the form of Baba, He Himself explained those meanings -- and then everyone understood. So this is one example of how the teachings of Mahasambhuti remain misunderstood by the general public. And it is similar in the case of Baba's ways of teaching in all the spheres. Because these teachings are not easily graspable.
BABA'S DARSHAN: HUMOR STORY
I remember clearly in 1987, when Baba started giving discourses on microvita. He gave the philosophy of microvita. And those days in general darshan in Hindi language, He explained about microvita in a different way. Speaking to simple village Margis who have hardly any interest to learn philosophy, to them Baba told, that "To make you laugh, sometimes I use the term 'microvita'-- that microvita is doing this or that. But actually it is His grace, which does everything. Everything happens with the grace of Parama Purusa. Microvita is nothing. Just I use this term, to make you laugh." After hearing this, all the Margis started laughing, and Baba did too. At that time, only non-Hindi knowing people did not understand why people are laughing. So this is also one of the mysterious ways. Taraka Brahma Baba has given microvita philosophy, but He jokes about it also and tells that it is nothing. He uses microvita for just humor's sake. Who can say anything on these such devotional issues? So Baba's each and everything is gurh (Means, it is not easily intelligible by the human mind).
INNER MEANING OF PRABHAT SAMGIITA
So Baba's Prabhat Samgiita has inner meaning also. One meaning is the external literal meaning. And another meaning is the inner meaning. If anybody knows the meaning of the words of the song, then they can easily understand the literal meaning. But to understand the inner meaning, one has to think deeply. Even so, one may or may not understand. For example, take this following song. PS song number 6 looks very ordinary, but this itself is in fact a very intricate song. The song is- 'Bandhu a'ma'r bandhu a'ma'r, Sona'r a'loy d'haka'. The normal purport is: "My Paramapurus'a, My Lord Is covered with golden light" This first line needs a lengthy explanation. A very important part of our AM spiritual philosophy is hidden within this first line. And in normal way in the English PS book 1-100 (or 1-200) which is published by our AMPS Central, the meaning of the first line is written as: "My Paramapurus'a, My Lord Is covered with golden light" This very line is very deep. In the book, as seen above, the literal meaning has been given. The inner meaning is not there. And without the inner meaning of the song, the real meaning of the song will remain unclear. To understand this first line you have to read Subhasita Samgraha part 1. In the chapter 'Base and Relative Truth SS part I, Baba describes the colour of Hiranmaya Kosa as golden. He says beyond the Hiranmaya kosa in Satya Loka Brahma is residing. Baba has given the example of the "Hiran'yamaya pare Koshevira'jam' Brahma..." Beyond the Hiranyamaya Kosa the place of Brahma is there. In the PS song number 6 Bandhu Amar, Baba is describing a similar thing in poetic form, in a very condensed way. Those who do not have understanding about satyaloka and hiranmaya kosa, will not understand by this one line explanation, "My Paramapurus'a, My Lord, is covered with golden light". Some innocent person may think Parama Purusa is playing in the colour festival-- "Holi", or spring festival. But the real meaning of this song #6, Baba has described in the above said discourse in SS part 1. And those who understand the discourse will realise "Sona'r a'loy d'haka'" means Brahma is covered with golden light-- which signifies Hiranmaya Kosa. 'Sonar a'loy dhaka' means coloured with golden light which means Parama Purusa is beyond Hiranmaya Kosa.
RELATED WITH SADHANA
In the field of sadhana the practical meaning is that the mind should be placed beyond hiranmaya kosa in order to reach up to Parama Purusa. In the process of doing proper dhyana etc, or when dhyana is properly done then one's mind crosses the periphery of Hiranmaya Kosa and reaches to satyaloka. And as we also know that the colour of Hiranmaya kosa is golden. This very thing that Brahma is beyond Hiranmaya Kosa, Baba has described in another discourse 'Intuitional Science of the Vedas (2)' in SS part 2. Baba writes as follows, Baba says, "Hiranmaye pare kose virajam brahma..." "Hiranamaya kosa or the astral mind is the subtlest of the five sheaths or shells of the human structure. Just above it resides the integral, imperishable Brahma. He is integral, for He is intransmutable, flawless, devoid of the decaying quinquecellular or Paincakosatmaka manifestation. His luminosity is white. He is the radiance of all radiant objects. All radiances pale before His radiance." (SS Pt 2, p.32) So by these explanations which are given by Baba in Subhasita Samgraha, it is clear that the meaning of Prabhat Samgiita is very deep. Just in this song number 6, one line of the song carries the meaning of several paragraphs of the discourse which is related with the practice of our dhyana. Since 20 years we have this song but only recently I could understand the inner meaning.
SPECIAL SIGNIFICANCE OF PRABHAT SAMGIITA
There is a long philosophy hidden behind each and every PS. Examples have been given above to illustrate how PS is made for devotional cause, and for teaching various aspects of AM philosophy in the form of poetry. Because if Baba had composed 5018 Samskrta slokas in place of Prabhat Samgiita, then it would have become more difficult. The reason is, that Samskrta does not exist as a spoken language these days. That's why Baba did not compose Prabhat Samgiita in the Samskrta language, as a sloka. The whole Ananda Marga philosophy is hidden in Prabhat Samgiita. PS is all in one. Means all aspects of AM philosophy: Prout, Neo-Humanism, social and spiritual philosophy, and the loving communication between devotee and Parama Purusa -- all together are existing in PS. This PS is a type of scripture or sha'stra. Just like non-margiis do not understand our AM books. To understand AM books it needs a mind of a sadhaka. AM books are the theoretical side and the practical side is spiritual practice. Those who do not do sadhana will not understand Baba's teachings. Just see, the Indian CBI has all the books including acarya diary, but they did not understand anything. Rather they became paranoid by reading the word sadvipra leadership. In conclusion, AM books and Prabhat Samgiita are for Ananda Margiis because they are the "laboratory practical" books of the sadhakas. Those who do not do the practical aspect of sadhana, do not need those "practical" books. And those who want to propagate PS, their first and foremost duty is to create more margiis and then with their devotional heart gradually those margis will understand. Otherwise sowing seeds in the dry desert will not yield any fruit. Prabhat Samgiita is such a devotional treasure. PS is an unparalleled gift of Baba where devotees and Parama Purusa are sharing their loving heartfelt feeling with one another.
BABA'S BLESSING
Here the letter concludes with this following Prabhat Samgiita. "Andha'rer sei hata'sha', Kete geche a'ja a'loker parasha peye." (PS no. 9) With the sweet touch of HIS divine love and grace the hopelessness of darkness is gone. Namaskar, Satiish Note: From 1982 to 1990 it was the strict rule of Baba that Prabhat Samgiita should not be telecasted or broadcasted in the common public. Why was it like this? The reason is explained in this above letter. And the pointed reason is, that the meaning is ungraspable to non-Margis. And they will treat it as songs of their crude love. That's why, Baba does not allow to telecast and broadcast Prabhat Samgiita. Prabha't Sam'giita are not just ordinary songs. The PS collection assimilates all Baba's teachings together. But, because it is in poetry, so it is very hard to understand. In such a case more possibility is there to misunderstand. The possibility is, that non-Margis will misuse. Baba wants to teach deeper aspects of AM philosophy through Prabha't Sam'giita. But the understanding of the general public is very low and crude. In their low state it is not easy for them to understand normal aspects of AM philosophy. Then you can think how they will be able to understand deeper aspects of our philosophy which is very sentient and pointed. To understand it needs agraya' buddhi / intuition. So due to lack of all this, the common public will use Prabha't Sam'giita for their crude sensual satisfaction if PS is propagated to the common public by television or any other broadcasting media. That is, without prior teaching of sadhana to them. That's why Baba did not allow broadcasting and telecasting of PS.
******************************************** Hungry For Applause
Baba says, "Those people are great who harbor no biases and who behave rationally both with those who abuse them give them pain and with those who give them happiness. Such people don't harbour any feelings of enmity towards anybody and take no-one as their enemy. They remain the same in pleasure or pain whether they have a positive reputation or negative reputation. They are unaffected and unassailed in all circumstances of praise or criticism, pain or pleasure. They attach no importance whatsoever to any of these things. They are meaningless for such people." "Those who work with the motivation that they will attain intellectual victory are slaves to words of praise. They can never become great people. It is bad to be a slave to worldly words of praise. The sounds raised by jackals and those raised in praise of some intellectuals are similar." (AV-5, p.57-8)
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