To: am-global@earthlink.net
Subject: Re: DMS News: Uncultured Dance in Cultural Program
From: Divyam'shu Deva
Baba
(Note: This is the third letter on this thread. Please find links to the two earlier letters below. - Eds)
Namaskar,
The Rawa programs led by Mr. Mrinal Pathak are indeed appalling. And I also heard Dada Acintananda’s high praise of Mr. Pathak. To my ears that was most telling of how things are shaping up in our Marga these days.
We should not compete with Hollywood to "raise" the standard of our dance and dramas to the level of hell. We should not compete with the Hollywood modus-operendi, or low-level standard.
But see here how our in-charge Dada is openly praising these crude displays.
Dada Acintanandji spoke:
“Mrinal Pathakji is establishing Ananda Marga bhagavad dharma through these cultural programs. His work is unparalleled. He is a true dharmika. With Rawa, dance dharma will be established gradually. Everyone should follow in his footsteps.”
The fact is that Mr Pathak’s dance programs are strongly influenced by Bollywood sensuality. As a performance director, he takes all his cues from the materialistic movie / fashion industry. That is why there is so much pseudo-culture in his dance productions that are done under the banner of Rawa. So how could a highly posted Dada like Acintanandji think that Pathakji is establishing dharma? Dadaji’s analysis is quite disturbing.
Here are further thoughts about those Dadas involved in organising these RAWA programs.
The main in-charge of this RAWA program was Nigamananda; thereafter, Acintananda has taken over the job. So Dadaji could have put a halt to these types of programs long ago, but instead he lets them continue.
Some say Dada Nigamananda had a weakness towards opposite sex; whereas, Acintananda is certainly different from Nigamananda, but he is doing the same same thing. Nigamananda was the first to stand in support of Mrinal Pathak’s programs and now Acintananda is following suit. In that case, where is the difference?
I was thinking that Acintananda was the stronger man but it seems that in his older age he has become weak. One can only wonder what type of sannyasi thinks it good for mature girls to dance for a male audience. This is totally inappropriate and against our Ananda Marga system; yet Acintananda is appreciating this show.
It seems he also likes to carouse around with those baser propensities in an active state, otherwise what could be the reason why he does not exercise his authority to guide the RAWA programs in a proper way. Instead, he openly supports the crude display led by Mrinal Pathak.
Tragically, this is the way our RAWA cultural programs have been shaping up these days. And this is what happened at last month’s May 2012 DMS. It is indeed troubling and unfair to all involved, including those forced to watch these events. Many margiis either closed their eyes or left pandal entirely.
Namaskar,
Divyam'shu Deva
#2: http://www.am-global-01.blogspot.com/2012/06/re-dms-news-uncultured-dance-in.html
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